Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

RECENTLY ADDED
Daam Dah 2022
Glass
Available
RECENTLY ADDED
Daam Dah 3 and 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 1-3
Glass
Available
RECENTLY ADDED
Daam Dah 3-2 and 3-3
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-White)
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-Red)
Glass
Available
RECENTLY ADDED
Daam Dah 9
Glass
Available
RECENTLY ADDED
Daam Dah 2023
Glass
Available
RECENTLY ADDED
Organism Square Spikes
Metal
RECENTLY ADDED
Bowl Shinogi Small (Gold)
Ceramics
RECENTLY ADDED
Siri's Sweater Cut in Half
Textiles
RECENTLY ADDED
Annies Wood/Hundred Foot Drain 2
Wood
RECENTLY ADDED
Propagation Project, Straight Spikes
Metal
RECENTLY ADDED
Raining Stone 6, Raining Stone 7
Ceramics
RECENTLY ADDED
Kido (Luminance) and Honei (Umbra)
Other
RECENTLY ADDED
Baroque Beauties
Metal