Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

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Daam Dah 2022
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Daam Dah 3 and 4 (Red)
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Daam Dah 4 (Red)
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Daam Dah 1-3
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Daam Dah 3-2 and 3-3
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Daam Dah (Plate-White)
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Daam Dah (Plate-Red)
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Daam Dah 9
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Daam Dah 2023
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Column Series: Pilar III
Wood
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Leaden Skies
Metal
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Hundred Foot Drain 9
Wood
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Untitled
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Bronze Speck
Ceramics
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Unreachable I
Textiles
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Erosion Sequence I/22, II/22 and III/22
Wood
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Untitled
Glass