Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

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Daam Dah 2022
Glass
Available
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Daam Dah 3 and 4 (Red)
Glass
Available
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Daam Dah 4 (Red)
Glass
Available
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Daam Dah 1-3
Glass
Available
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Daam Dah 3-2 and 3-3
Glass
Available
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Daam Dah (Plate-White)
Glass
Available
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Daam Dah (Plate-Red)
Glass
Available
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Daam Dah 9
Glass
Available
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Daam Dah 2023
Glass
Available
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Early Morning Rain
Ceramics
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Hundred Foot Drain 8
Wood
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Echoes of Amphora: Bony Mesa Jar
Wood
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Hundred Foot Drain 5
Wood
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Floating Tree 2
Other
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A Pineapple Vase
Ceramics
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Don’t Get Around Much Anymore
Ceramics
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Encircling Vessel
Metal