Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

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Daam Dah 2022
Glass
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Daam Dah 3 and 4 (Red)
Glass
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Daam Dah 4 (Red)
Glass
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Daam Dah 1-3
Glass
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Daam Dah 3-2 and 3-3
Glass
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Daam Dah (Plate-White)
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Daam Dah (Plate-Red)
Glass
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Daam Dah 9
Glass
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Daam Dah 2023
Glass
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Folded Memory No. 3
Textiles
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Landscape of Absence I
Textiles
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Kido (Luminance) and Honei (Umbra)
Other
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Insieme
Metal
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Collection of Contained Boxes - Black, Clear Frit, Warm White
Glass
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Echoes of Amphora: Vase III/20 and Vase I/20
Wood
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Untitled
Glass
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Darn Socks
Textiles