Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

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Daam Dah 2022
Glass
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Daam Dah 3 and 4 (Red)
Glass
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Daam Dah 4 (Red)
Glass
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Daam Dah 1-3
Glass
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Daam Dah 3-2 and 3-3
Glass
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Daam Dah (Plate-White)
Glass
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Daam Dah (Plate-Red)
Glass
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Daam Dah 9
Glass
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Daam Dah 2023
Glass
Available
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Shigaraki Red, Dark Speckled Trace, Dark Rim, Tilted Shelf
Ceramics
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Bowl Shinogi Small
Ceramics
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Untitled
Glass
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Echoes of Amphora: Lidded Vessel I/21
Wood
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Indelible Memory
Paper
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Annies Wood/Hundred Foot Drain 2
Wood
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Propagation Project; Nigella Chrysanthemum
Metal
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Untitled
Glass