Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

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Daam Dah 2022
Glass
Available
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Daam Dah 3 and 4 (Red)
Glass
Available
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Daam Dah 4 (Red)
Glass
Available
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Daam Dah 1-3
Glass
Available
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Daam Dah 3-2 and 3-3
Glass
Available
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Daam Dah (Plate-White)
Glass
Available
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Daam Dah (Plate-Red)
Glass
Available
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Daam Dah 9
Glass
Available
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Daam Dah 2023
Glass
Available
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Permutation
Textiles
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Shigaraki Red, Dark Speckled Trace, Dark Rim, Tilted Shelf
Ceramics
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Volcanic Totem 3, Volcanic Totem 4
Ceramics
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A Pair of Daffodil Bonnet Lidded Pots
Ceramics
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Waiting for the Past
Ceramics
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Folded Rim Round Vessel
Ceramics
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Paint I
Ceramics
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Untitled
Glass