Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

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Daam Dah 2022
Glass
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Daam Dah 3 and 4 (Red)
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Daam Dah 4 (Red)
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Daam Dah 1-3
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Daam Dah 3-2 and 3-3
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Daam Dah (Plate-White)
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Daam Dah (Plate-Red)
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Daam Dah 9
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Daam Dah 2023
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Folded Memory No. 1
Textiles
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Magma Interrupted
Ceramics
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Echoes of Amphora: Vase III/20 and Vase I/20
Wood
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Guardian Vessel
Ceramics
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Sinker
Ceramics
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Indelible Memory
Paper
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Volcanic Totem 3, Volcanic Totem 4
Ceramics
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Untitled
Glass