Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

RECENTLY ADDED
Daam Dah 2022
Glass
Available
RECENTLY ADDED
Daam Dah 3 and 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 1-3
Glass
Available
RECENTLY ADDED
Daam Dah 3-2 and 3-3
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-White)
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-Red)
Glass
Available
RECENTLY ADDED
Daam Dah 9
Glass
Available
RECENTLY ADDED
Daam Dah 2023
Glass
Available
RECENTLY ADDED
Large Round Box - Clear and Gold
Glass
RECENTLY ADDED
Untitled
Glass
RECENTLY ADDED
Voided Vessel I/22
Wood
RECENTLY ADDED
Wind Against Tide
Ceramics
RECENTLY ADDED
Pale, Haloed Granite Traces, Bronze Specks
Ceramics
RECENTLY ADDED
Grid
Textiles
RECENTLY ADDED
Guardian Vessel with Torn Rim
Ceramics
RECENTLY ADDED
Qingbai Gold Bowl
Ceramics