Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

RECENTLY ADDED
Daam Dah 2022
Glass
Available
RECENTLY ADDED
Daam Dah 3 and 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 1-3
Glass
Available
RECENTLY ADDED
Daam Dah 3-2 and 3-3
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-White)
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-Red)
Glass
Available
RECENTLY ADDED
Daam Dah 9
Glass
Available
RECENTLY ADDED
Daam Dah 2023
Glass
Available
RECENTLY ADDED
Icy Magma Wallpiece
Ceramics
RECENTLY ADDED
Triptych
Ceramics
RECENTLY ADDED
Golden Vessels on Stilts
Metal
RECENTLY ADDED
Volcanic Totem 3, Volcanic Totem 4
Ceramics
RECENTLY ADDED
Untitled
Glass
RECENTLY ADDED
Sieve and Mussels
Ceramics
RECENTLY ADDED
Shigaraki Red, Dark Iron, Red Tilted Shelf
Ceramics
RECENTLY ADDED
Bowl of Silence
Textiles