Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

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Daam Dah 2022
Glass
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Daam Dah 3 and 4 (Red)
Glass
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Daam Dah 4 (Red)
Glass
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Daam Dah 1-3
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Daam Dah 3-2 and 3-3
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Daam Dah (Plate-White)
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Daam Dah (Plate-Red)
Glass
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Daam Dah 9
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Daam Dah 2023
Glass
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River Ladders
Ceramics
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Qingbai Bowl
Ceramics
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An Object to Mark Time
Wood
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Objects to Listen to VI
Ceramics
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A Pair of Daffodil Bonnet Lidded Pots
Ceramics
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Propagation Project, Coppiced Wood Tanka
Metal
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Untitled
Glass
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Unreachable I
Textiles