Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

RECENTLY ADDED
Daam Dah 2022
Glass
Available
RECENTLY ADDED
Daam Dah 3 and 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 1-3
Glass
Available
RECENTLY ADDED
Daam Dah 3-2 and 3-3
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-White)
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-Red)
Glass
Available
RECENTLY ADDED
Daam Dah 9
Glass
Available
RECENTLY ADDED
Daam Dah 2023
Glass
Available
RECENTLY ADDED
Shigaraki Red, Dark Speckled Trace, Dark Rim, Tilted Shelf
Ceramics
RECENTLY ADDED
Qingbai Bowl
Ceramics
RECENTLY ADDED
Unreachable I
Textiles
RECENTLY ADDED
The Hill 5
Wood
RECENTLY ADDED
Speckled Shale, Olive, Granite Flashing Bands
Ceramics
RECENTLY ADDED
Speckled Shale, Trace, Haloed Granite Band, Tilted Olive Rim
Ceramics
RECENTLY ADDED
Propagation Project, Straight Spikes
Metal
RECENTLY ADDED
Untitled
Glass