Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

RECENTLY ADDED
Daam Dah 2022
Glass
Available
RECENTLY ADDED
Daam Dah 3 and 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 1-3
Glass
Available
RECENTLY ADDED
Daam Dah 3-2 and 3-3
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-White)
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-Red)
Glass
Available
RECENTLY ADDED
Daam Dah 9
Glass
Available
RECENTLY ADDED
Daam Dah 2023
Glass
Available
RECENTLY ADDED
Pale, Fractured Speckled Spiral and Traces
Ceramics
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Raining Stone 6, Raining Stone 7
Ceramics
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Hundred Foot Drain 6
Wood
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Erosion Sequence I/22, II/22 and III/22
Wood
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Shino and Celadon
Ceramics
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Divided Tables
Furniture
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Slab: Shigaraki Pale, Olive, Dark and Granite Haloed Traces
Ceramics
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Elizabeth's Cardigan
Textiles