Keeryong Choi

Keeryong Choi’s experience living and working between Scotland and South Korea has shaped a broader cultural outlook. From this ‘in-between’ vantage point, he draws from questions concerning the notion of cultural authenticity, bicultural identity, and historical, symbolic meanings constructed around materials.

RECENTLY ADDED
Daam Dah 2022
Glass
Available
RECENTLY ADDED
Daam Dah 3 and 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 4 (Red)
Glass
Available
RECENTLY ADDED
Daam Dah 1-3
Glass
Available
RECENTLY ADDED
Daam Dah 3-2 and 3-3
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-White)
Glass
Available
RECENTLY ADDED
Daam Dah (Plate-Red)
Glass
Available
RECENTLY ADDED
Daam Dah 9
Glass
Available
RECENTLY ADDED
Daam Dah 2023
Glass
Available
RECENTLY ADDED
Wide Open
Metal
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Pale, Fractured Speckled Spiral and Traces
Ceramics
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Icy Magma Wallpiece
Ceramics
RECENTLY ADDED
Qingbai Gold Bowl
Ceramics
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Echoes of Amphora: Vase III/20 and Vase I/20
Wood
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Funeral Clothes for the Women
Textiles
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Lonia
Ceramics
RECENTLY ADDED
Slipping The Trail
Ceramics